Built before Outlast, this shoot was never about survival TV — it was about that feeling of being a little too far from the city, wrapped in sequins and lace, waiting for the next log on the fire.
Headlamps, lanterns, and cheap string lights became our lighting kit — turning the campsite into a runway the second the sky went black.
Built before Outlast, this shoot was never about survival TV — it was about that feeling of being a little too far from the city, wrapped in sequins and lace, waiting for the next log on the fire.